paintings |
drawings |
installations |
digital |
NEWS
ARTIST AS CULTIVATORS, Pennsylvania Academy of Fine Arts, Philadelphia, PA
February 8 to June 2, 2024
(click on image to see the work)
AGNES MARTIN AND ANNA BOGATIN OTT: SUBTLE SUBLIME
Contemporary Galleries Focus, Delaware Art Museum, Wilmington, DE
January through June, 2024
ANNA BOGATIN OTT: DIRECT LINE, Larry Becker Contemporary Art , Philadelphia, PA
A Special Installation of New Large Wine Drawings and Other New Works on Paper.
August 10 to September 20, 2023
OUR RED PLANET: Anna Boagatin Ott
The Delaware Art Museum , Wilmington, DE, 18 February to 16 July 2023
This exhibition showcases her most recent work, informed by NASA images from Mars and her meditations on the COVID-19 pandemic and the war in Ukraine.
(click on image to see the work)
"ARRAY Phase Three 'New Moon in Equinox Tint'" at Larry Becker Contemporary Art, Philadelphia, PA
September 24 through November 4, 2022
Group exhibition featuring work by artists Anna Bogatin Ott, David Goerk, Martha Groome, Kocot and Hatton, Joseph Marioni, Jon Poblador, Steve Riedell, Tim Schwartz, Peter Tollens.
(click on image to see the work)
HARD-EDGED, Geometric Abstraction at Upsilon Gallery, New York, NY
June 24 to August 13, 2022
Upsilon Gallery is pleased to present HARD-EDGED Geometric Abstraction , an exhibition featuring abstract paintings by artists Edward Avedisian, Willard Boepple, Anna Bogatin Ott, Alberto Burri, Vanessa Jackson, Ellsworth Kelly, Robert Kelly, John Opper, Theodore Roszak, Larry Zox.
An opening reception will be held at 23 East 67th Street on Friday, June 24th, from 6:00-8:00 PM.
(click on image to see the work)
ANNA BOGATIN OTT: LUMINOUS NOW at Margaret Thatcher Projects, New York, NY
June 16 - July 22, 2022
Margaret Thatcher Projects is pleased to present Luminous Now , an exhibition of abstract paintings by Anna Bogatin Ott, the artist's first solo show at the gallery.
(click on image to see the work)
ANNA BOGATIN OTT: METAMORPHOSIS at CHUNG|NAMONT Gallery, San Francisco, CA
September 22 - November 20, 2021
Bogatin Ott has been making digital work since 2014. Her work is included in numerous museum, public, and private collections in the U.S. and internationally. This is the first solo exhibition to feature her digital work exclusively.
(click on image to see the work)
NEW ACQUISITION:
The General Mills, Minneapolis, MN has purchased two paintings: BV19, and BV20, 2020 for their permanent Art Collection. (click on image to see the painting)
VIDEO: ANNA BOGATIN OTT - WANDERLAND: MOON AND SUN. New Paintings. at Larry Becker Contemporary Art, Philadelphia, PA. Virtual walk through.
ANNA BOGATIN OTT - WANDERLAND: MOON AND SUN. New Paintings.
EXTENDED through December 31, 2020, Larry Becker Contemporary Art, Philadelphia, PA
This exhibition presents a series of new paintings that are based on precise digital studies, which are made from photographs of the sky and the environment taken at sunset when the sun and the moon are both visible.
THE OTHER 50%: Women's Voices in the Public Sphere ,
September 12 - November 15, 2020, Gregory Allicar Museum of Art, Fort Collins, CO
Since the ratification of the 19th Amendment in summer 1920, the women's movement has worked to gain access to centers of power, to secure political control of women's bodies, to be inclusive and ultimately, to be heard. This exhibition, curated by faculty from the Department of Art and Art History, highlights significant works of art by women from the museum's permanent collection. The Gregory Allicar Museum of Art invites visitors into an intersectional investigation of the creative ways that women have expressed their calls for awareness and demands for change.
ANNA BOGATIN OTT: THE NATURE OF THINGS
February 15 - April 25, 2020, Holly Johnson Gallery, Dallas, TX
The title of the exhibition evokes an important poem On the Nature of Things by the Roman poet Titus Carus Lucretious. This poem presented and preserved the Epicurean philosophy of nature, which had a significant impact on science, anthropology and philosophy. The title also reflects artists personal contemplation on nature, its importance for healthy and happy existence, our role and relationship with it.
Review by John Zotos, Anna Bogatin Ott at Holly Johnson Gallery, Dallas Texas, Visual Art Source, March 2020
The Georgia Museum of Art celebrated the Slow Art Day by focusing on painting Aurora, 2015 by Anna Bogatin Ott.
EVERGLADES, 2013, Acrylic on canvas, 48 x 48 inches is now part of the permanent collection at Pennsylvania Academy of the Fine Arts in Philadelphia, PA
COLOR, FORM and LIGHT: Objects from the Permanent Collection
June 22, 2019 - October 13, 2019, GEORGIA MUSEUM of ART, Philip Henry Alston Jr. and Virginia and Alfred Kennedy Galleries
This focused exhibition consists of rarely seen works from the permanent collection or on long-term loan.
Artists included:
Leo Amino, Anna Bogatin, Dan Flavin, Charles Hinman, Joseph Havel, Kyohei Inukai, Valerie Jaudon, Lila Katzen, Lyman Kipp, Jules Olitski, Ludwig Sander, DeWain Valentine, Anne Wall Thomasand, and Yvaral.
JULIET, 2017, Acrylic on canvas, 36 x 36 inches was acquired by the Gregory Allicar Museum of Art, Fort Collins, Co
RADIANT SPACE at VanDernoot Gallery, Lesley University, Cambridge MA
Sep 4 - Oct 7, 2018
"Radiant Space" highlights 10 works by nine artists who embrace perception, light, color, and materiality through stripped-down aesthetics. Utilizing Plexiglas, polyester resin, archival pigments and vacuum-formed plastic they produce 2D and 3D works that give nod to Minimalist sensibilities while honoring the Light & Space movement of the 1960s. Participating artist: Jerrold Ballaine, Anna Bogatin, Hans Breder, Gisela Colon, Fred Eversley, Leroy Lamis, Robert Bruce Stevenson, De Wain Valentine, Michael Steiner
Anna Bogatin: Like most artists I stay away from categorizations, or labeling that can be attached to my work. Although now, being included in a group exhibition with some of the pioneers of the Light and Space movement, it is easy to see many similarities between their work and mine. Not in a final formal expression, but in the initial intent and inspiring ideas.
De Wain Valentine said: "What I'd really like to do is take large sections of the sky and the sea and say here it is" (1975/76).
Here it is! I literally take a slice (a row of pixels) in a photograph of a seascape or a sky and make an abstract image by stretching it across the picture plane. All information: colors and spatial distribution of lines remain unchanged, truthful to reality at the moment the photo was taken.
Fred Eversley, on the other hand, emphasizes his interest in energy in both a physical and metaphysical sense by quoting William Blake: "Energy is the only life.. Energy is Eternal Delight."
I always maintained that art for me is a spiritual activity. What is, if not the energy that is being communicated between the viewer and a work of art? Throughout the years I have revised my artists statement many times, but in essence my art is about the same.. I quote myself from 2002:
"..It's about Inexhaustible Light."
I am honored to be exhibited in such wonderful company, and grateful for the chance to see my work through the new lens.
The University of Illinois in Urbana-Champaign has purchased three works by Anna Bogatin - "Relic", "Sunset Sea", and "Orchid" for their newly renovated Noyes Laboratory.
Five large works by Anna Bogatin - "Cape May", "Carmel", "Hamptons", "Los Angeles", and "San Francisco" have been acquired by the Temple University for their Student Center Permanent Collection.
Philadelphia City Hall_afternoon, Independence Hall_night, Independence Hall_day, 2015
are now in permanent collection of The PENNSYLVANIA CONVENTION CENTER AUTHORITY,
Philadelphia, PA
These digital works are based on Anna Bogain's photographs of two major historical landmarks in Philadelphia - Independence Hall and City Hall.
The colors and widths of the lines are authentic, unaltered, and correspond directly to the details in the photo of each particular building.
Both of these buildings are rich with architectural details which when abstracted resonate in an exuberant symphony of lines, yet the structure retains its original elegance.
This work celebrates the order found in nature and the beauty found in chance. It also offers a fresh look on a familiar reality.
STRONGER, 2015, Acrylic on canvas, 72 x 144 inches is now in an important private collection in Philadelphia, PA
AURORA, 2015, Acrylic on canvas, 36 x 36 inches is now in permanent collection of the GEORGIA MUSEUM OF ART, University of Georgia, Athens, GA